The timeless Khmer tale of Neang But Somaly Botum Vatey was brought to life on March 22 at MC Park Community Mall, as part of the Art and Law project organized by the youth-led group Sithi Knhom – My Rights. This initiative, which merges cultural heritage with legal education, tackled the critical issue of consent in society through the expressive power of Khmer classical dance.
Supported by the Italian Business Chamber in Cambodia (ItaCham), the event facilitated discussions on the legal and cultural dimensions of consent, drawing insightful comparisons between Cambodia and Italy’s own historical and contemporary challenges in addressing gender-based violence.
During the event, three generations of women led discussions on the deep-rooted societal prejudice captured in the phrase “women cannot spin the cookstove.” ItaCham’s Chairman, Gabriele Faja, highlighted the global significance of the topic, recalling that until 1981, Italian law allowed rapists to escape prosecution by marrying their victims. He further noted that it was only in 1996 that sexual violence was legally recognized in Italy as a crime against the individual rather than merely a moral offense.
“Italy, like many other countries, still faces legal gaps, as there is no clear legal definition of consent,” Faja stated. Praising Sithi Knhom – My Rights for their innovative approach, he emphasized ItaCham’s commitment to supporting social change through artistic expression. “The Italian community in Cambodia stands behind you. You are not only creating art—you are creating change.”
The event marked the second edition of the Art and Law project, following its successful launch in May last year. Co-founder Leng Malen explained that the initiative seeks to blend legal education with Khmer cultural arts, providing artists and audiences alike with a deeper understanding of legal frameworks.
Through the performance of Neang But Somaly Botum Vatey, the project illustrated key aspects of consent, challenging common misconceptions such as the denial of spousal rape. By weaving these themes into traditional storytelling, the initiative reinforced the message that personal autonomy is fundamental to a safe and just society.
Beyond raising awareness, Art and Law also aims to advocate for legal reforms, pushing for a clearer definition of consent and stronger victim support systems in Cambodia. By fostering public dialogue, the project seeks to inspire a cultural shift where women’s rights are respected, sexual violence is condemned, and legal protections are strengthened.
Guiding the performance was teacher and renowned choreographer Sophiline Cheam Shapiro, founder of the Sophiline Arts Ensemble. She explained that Neang But Somaly, the story’s protagonist, embodies courage and intelligence in the face of adversity.
“She faces the demon Veikand, who attempts to deceive and manipulate her,” Shapiro shared. “But through wisdom and resilience, she overcomes the danger and reclaims her autonomy.”
The Art and Law project is more than an artistic endeavor—it is a movement empowering women by equipping them with knowledge of their rights. By creating safe spaces for dialogue, it challenges harmful societal norms and builds confidence among women of all ages.
“This initiative is not just about law; it’s about ensuring that women are heard, valued, and empowered to live free from violence and discrimination,” Malen affirmed.
ItaCham is proud to support this meaningful initiative, reaffirming its dedication to fostering social responsibility and cultural exchange between Italy and Cambodia. By standing behind projects like Art and Law, the Chamber continues its mission to encourage a more equitable and inclusive society.
